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Cinematic Revolution? Dogma 25 Shakes Things Up at Cannes!

4 Min Read

Hey there, San Miguel community! So, there’s some buzz coming out of France that you might want to hear about. A group of filmmakers, inspired by a movement from a while back is stirring up the pot at the Cannes Film Festival. They’ve introduced something called “Dogma 25,” which sounds a bit like that funky cousin of yours who just insists on going against the grain at family gatherings.

This new manifesto is a nod to “Dogma 95,” a set of rules set by some notable names in the film industry, like Lars Von Trier—yes, the one behind that intense and rather provocative cinema. Fast forward thirty years, and now a crew of Danish and Swedish directors are raising their voices to advocate for what they call “pure cinema.” They’re diving into the essence of filmmaking while throwing shade at the overly polished and algorithm-driven flicks we see nowadays.

The manifesto emphasizes the importance of authenticity in storytelling. “In a world where film is driven by algorithms and artificial visuals seeps in,” it states, “we are here to champion the imperfect, distinctive, and human touch”. Well, isn’t that refreshing?

The driving forces behind this new wave include directors like May el-Toukhy and Milad Alami. They’re waving the banner of a movement that argues without auteur cinema, conventional films lack originality—and let’s be real, who wants to sit through another cookie-cutter blockbuster?

Now, let’s get to the juicy rules of Dogma 25. They’re keeping just one from the original Dogma 95: filming on location where the narrative is set—no green screens allowed! But they’ve tossed in a few fresh ones. For instance, they want films crafted from original scripts—not doused in recycled ideas. Plus, any funding must not sway the content—talk about sticking it to the man!

Oh, and how about this: they’ve also limited the crew to a maximum of ten people when shooting. Not quite the Hollywood factory vibe, huh? And here’s a fun twist—they’re advocating for mainly dialogue-free movies, counting on the power of visuals. They clearly have some faith in audiences that they’ll get the message without a ton of chatter.

Also, forget about special effects and AI; they want it raw and unfiltered. They even suggest filmmakers skip the internet for brainstorming—yikes! Just think of all the memes they’ll miss out on! But hey, sounds like they’re after a more organic approach.

The goal is to get films done in just a year. So, there you have it! These cinephiles are rallying around a mission to connect back to the heart of storytelling, and who knows, maybe we’ll see some genuinely creative flicks emerging from this movement.

What’s your take on this? Could we be looking at a cinematic revolution? Let’s chat about it, and feel free to share your own cinematic pet peeves. Until next time, keep it relaxed and grab some popcorn for the next indie film night! Cheers!

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